A Dictionary of Music and Musicians (1900)
“ Will the revolutionary spirit which is now working such radical changes in the construction of the Opera affect the Oratorio also? Will the neglect of Counterpoint, the contempt for Fugue, the hatred of Polyphony, which so many young Musicians—and not young ones only—are rapidly learning to regard as signs of 'progress,' undermine the very foundations of Sacred Music to such an extent as to render the production of new and worthy works impossible? Is there genius enough in the world to strike out an entirely new conception, and learning enough to ensure its successful embodiment? ”
