“ And while I hitherto have endeavoured only to show how modesty and gentleness of disposition purified Art and Science, by permitting us to recognize the superiority of the work of others to our own—to-day, on the contrary, I wish to indicate for you the uses of infantine self-satisfaction; and to show you that it is by no error or excess in our nature, by no corruption or distortion of our being, that we are disposed to take delight in the little things that we can do ourselves, more than in the great things done by other people. ”
Summary
John Ruskin’s The Eagle’s Nest, a collection of lectures from the 19th century, weaves together art, science, and moral philosophy through vivid observations of nature and critiques of human ambition. Centering on themes of creativity, humility, and the relationship between nature and human effort, Ruskin explores the constraints of scientific accuracy in conveying artistic truth, instead promoting a respect grounded in kindness and ethical behavior.
Drawing on examples from heraldry, anatomy, and the careful artistry of birds, he highlights the importance of moral integrity in artistic and intellectual endeavors. Structured as a series of contemplative discussions, the work ultimately argues that genuine wisdom lies not in conquering nature, but in aligning with its intrinsic beauty and moral insights.
Quotes from The Eagle's Nest (John Ruskin)
“ Do you fancy a Greek workman ever made a vase by measurement? He dashed it from his hand on the wheel, and it was beautiful: and a Venetian glass-blower swept you a curve of crystal from the end of his pipe; and Reynolds or Tintoret swept you a curve of colour from their pencils, as a musician the cadence of a note, unerring, and to be measured, if you please, afterwards, with the exactitude of Divine law.140. But, if the truth and beauty of art are thus beyond attainment by help of science, how much more its invention? ”
“ Perhaps you will not now any more think it strange that in beginning your natural history studies in this place, I mean to teach you heraldry, but not anatomy. For, as you learn to read the shields, and remember the stories, of the great houses of England, and find how all the arts that glorified them were founded on the passions that inspired, you will learn assuredly, that the utmost secret of national power is in living with honour, and the utmost secrets of human art are in gentleness and truth. ”
“ It was a bullfinch’s nest, which had been set in the fork of a sapling tree, where it needed an extended foundation. And the bird had built this first story of her nest with withered stalks of clematis blossom; and with nothing else. These twigs it had interwoven lightly, leaving the branched heads all at the outside, producing an intricate Gothic boss of extreme grace and quaintness, apparently arranged both with triumphant pleasure in the art of basket-making, and with definite purpose of obtaining ornamental form. ”
“ Now, gentlemen, the question I wish to leave with you to-day is whether the Wisdom which rejoices in the habitable parts of the earth, and whose delights are with the sons of men, can be supposed, under circumstances such as these, to delight herself in that most closely and increasingly inhabited portion of the globe which we ourselves now dwell on; and whether, if she cannot grant us to surpass the art of the swallow or the eagle, she may not require of us at least, to reach the level of their happiness. ”
“ It will rub itself against you, or pat you with velvet tufts, instead of talons; but you may talk to it an hour together, yet not rightly catch its eye. Ascend higher in the races of being—to the fawn, the dog, the horse; you will find that, according to the clearness of sight, is indeed the kindness of sight, and that at last the noble eyes of humanity look through humanity, from heart into heart, and with no mechanical vision. And the Light of the body is the eye—yes, and in happy life, the light of the heart also. ”
“ All Nature, with one voice—with one glory,—is set to teach you reverence for the life communicated to you from the Father of Spirits. The song of birds, and their plumage; the scent of flowers, their colour, their very existence, are in direct connection with the mystery of that communicated life: and all the strength, and all the arts of men, are measured by, and founded upon, their reverence for the passion, and their guardianship of the purity, of Love. ”
“ It is not the lower passions, but the loftier hopes and most honourable desires which become deadliest when the charm of them is exalted by the vanity of science. The patience of the wisest of Greek heroes never fails, when the trial is by danger or pain; but do you recollect that, before his trial by the song of the Sirens, the sea becomes calm? And in the few words which Homer has told you of their song, you have not perhaps yet with enough care observed that the form of temptation is precisely that to which a man victorious over every fleshly trial would be likely to yield. ”
“ You do not, I have told you, need either chemistry, botany, geology, or anatomy, to enable you to understand art, or produce it. But there is one science which you must be acquainted with. You must very intensely and thoroughly know—how to behave. You cannot so much as feel the difference between two casts of drapery, between two tendencies of line,—how much less between dignity and baseness of gesture,—but by your own dignity of character. ”
“ The incident which I have related in my fourth lecture on sculpture, seen by me last year on the bridge of Wallingford, is a sufficient example of the courtesies in which we are now bringing up our peasant children. Do you think that any science or art we can teach them will make them happy under such conditions? Nay, in what courtesy or in what affection are we even now carefully training ourselves;—above all, in what form of duty or reverence to those to whom we owe all our power of understanding even what duty or reverence means? ”
“ I shall endeavour for some time only to show you the function of modest art, as the handmaid of natural science; and the exponent, first of the beauty of the creatures subject to your own human life; and then of the history of that life in past time; of which one chief source of illustration is to be found in the most brilliant, and in its power on character, hitherto the most practically effective of the arts—Heraldry. ”
“ Sophia is the faculty which recognizes in all things their bearing upon life, in the entire sum of life that we know, bestial and human; but, which, understanding the appointed objects of that life, concentrates its interest and its power on Humanity, as opposed on the one side to the Animalism which it must rule, and distinguished on the other side from the Divinity which rules it, and which it cannot imagine.It is as little the part of a wise man to reflect much on the nature of beings above him, as of beings beneath him. ”
“ Trust me, I have many; and I can assert to you as a positive and perpetual law, that so much of the nude body as in the daily life of the nation may be shown with modesty, and seen with reverence and delight,—so much, and no more, ought to be shown by the national arts, either of painting or sculpture. What, more than this, either art exhibits, will, assuredly, pervert taste, and, in all probability, morals. ”
“ It is therefore a matter of very deep rejoicing to me that, in bringing before your examination the best forms of English art, I am necessarily leading you to take interest in the history of your country at the time when, so to speak, it became England. You see how, in every college which is now extending or renewing its buildings, the adopted style is approximately that of the thirteenth century;—it being felt, and rightly felt, by a continually-extending instinct, that only then the national mind had unimpaired power of ideal conception. ”
“ I mean by art, to-day, only imitative art; and by science, to-day, not the knowledge of general laws, but of existent facts. I do not mean by science, for instance, the knowledge that triangles with equal bases and between parallels, are equal, but the knowledge that the stars in Cassiopeia are in the form of a W.Now, accepting the terms ‘science’ and ‘art’ under these limitations, wise art is only the reflex or shadow of wise science. Whatever it is really desirable and honourable to know, it is also desirable and honourable to know as completely and as long as possible ”
“ Ignorance, which is contented and clumsy, will produce what is imperfect, but not offensive. But ignorance discontented and dexterous, learning what it cannot understand, and imitating what it cannot enjoy, produces the most loathsome forms of manufacture that can disgrace or mislead humanity. Some years since, as I was looking through the modern gallery at the quite provincial German School of Düsseldorf, I was fain to leave all their epic and religious designs, that I might stay long before a little painting of a shepherd boy carving his dog out of a bit of deal. ”
“ You buy the picture of the Virgin as furniture for your rooms; but you despise the religion, and you reject the memory, of those who have taught you to love the aspect of whatsoever things and creatures are good and pure: and too many of you, entering into life, are ready to think, to feel, to act, as the men bid you who are incapable of worship, as they are of creation;—whose power is only in destruction: whose gladness only in disdain; whose glorying is in their shame. ”
“ The first series of my lectures on sculpture must have proved to you that I do not despise either the workmanship or the mythology of Greece; but I must assert with more distinctness than even in my earliest works, the absolute unfitness of all its results to be made the guides of English students or artists.Every nation can represent, with prudence, or success, only the realities in which it delights. What you have with you, and before you, daily, dearest to your sight and heart, that, by the magic of your hand, or of your lips, you can gloriously express to others ”
“ Is it not stranger still that three thousand years have passed by, and we have not yet been able to learn the lesson, but are still eager to add to our knowledge, rather than to use it; and every day more passionate in discovering,—more violent in competition,—are every day more cold in admiration, and more dull in reverence?75. But, gentlemen, Homer’s Ulysses, bound to the mast, survives. Dante’s Ulysses is bound to the mast in another fashion. He, notwithstanding the protection of Athena, and after all his victories over fate, is still restless under the temptation to seek new wisdom. ”
“ We complain of the want of many things—we want votes, we want liberty, we want amusement, we want money. Which of us feels, or knows, that he wants peace?205. There are two ways of getting it, if you do want it. The first is wholly in your own power; to make yourselves nests of pleasant thoughts. Those are nests on the sea indeed, but safe beyond all others; only they need much art in the building. None of us yet know, for none of us have yet been taught in early youth, what fairy palaces we may build of beautiful thought—proof against all adversity. ”
“ Comparative sight is a far more important question than comparative anatomy. It is no matter, though we sometimes walk—and it may often be desirable to climb—like apes; but suppose we only see like apes, or like lower creatures? I can tell you, the science of optics is an essential one to us; for exactly according to these infinitely grotesque directions and multiplications of instrument you have correspondent, not only intellectual but moral, faculty in the soul of the creatures. Literally, if the eye be pure, the body is pure ”
“ Now, in all these successive stages of scientific description, we find art become powerful as an aid or record, in proportion to the importance of the inquiry. For chemistry, she can do scarcely anything: merely keep note of a colour, or of the form of a crystal. For anatomy, she can do somewhat more; and for natural history, almost all things: while in recording passion, and affectionate intellect, she walks hand in hand with the highest science; and to theology, can give nobler aid even than verbal expression of literature. ”
“ In the degree of his wisdom, an artist is unconcerned about his work as his own;—concerned about it only in the degree in which he would be, if it were another man’s—recognizing its precise value, or no value, from that outer standpoint. I do not think, unless you examine your minds very attentively, that you can have any conception of the difficulty of doing this. Absolutely to do it is impossible, for we are all intended by nature to be a little unwise, and to derive more pleasure, therefore, from our own success than that of others. ”
“ It is immodest to suppose that he can conceive the one, and degrading to suppose that he should be busied with the other. To recognize his everlasting inferiority, and his everlasting greatness; to know himself, and his place; to be content to submit to God without understanding Him; and to rule the lower creation with sympathy and kindness, yet neither sharing the passion of the wild beast, nor imitating the science of the Insect;—this you will find is to be modest towards God, gentle to His creatures, and wise for himself. ”
“ You will find the law hold universally that apes, pigs, rats, weasels, foxes, and the like,—but especially apes,—are drawn admirably; but not a stag, not a lamb, not a horse, not a lion;—the nobler the creature, the more stupidly it is always drawn, not from feebleness of art power, but a far deadlier fault than that—a total want of sympathy with the noble qualities of any creature, and a loathsome delight in their disgusting qualities. ”
“ Just reflect for an instant how absolutely whatever has been done in art to represent these most familiar, yet most spectral forms of cloud—utterly inorganic, yet, by spiritual ordinance, in their kindness fair, and in their anger frightful,—how all that has yet been done to represent them, from the undulating bands of blue and white which give to heraldry its nebule bearing, to the finished and deceptive skies of Turner, has been done without one syllable of help from the lips of science. ”
“ Every scientific investigation is, in the same sense as this would be, useless to the trained master of any art. To the soap-bubble blower, and glass-blower,—to the pot-maker and bottle-maker,—if dexterous craftsmen, your science is of no account; and the imp of their art may be imagined as always looking triumphantly and contemptuously, out of its successfully-produced bottle, on the vain analysis of centrifugal impulse and inflating breath. ”
“ It is quite true that the virtue of art is the wisdom which consists in the wit of what is honourable; but also the virtue of science is the wit of what is honourable, and in the same sense, the virtue of νοῦς, or wit itself, consists in its being the wit or conception of what is honourable. Σοφία, therefore, is not only the ἀρετή τέχνης, but, in exactly the same sense, the ἀρετή ἐπιστήμης, and in this sense, it is the ἀρετή νόου. And if not governed by σοφία, each school will teach the vicious condition of its own special faculty. ”
“ Will you not rather honour with all your strength, with all your obedience, with all your holy love and never-ending worship, the princely sires, and pure maids, and nursing mothers, who have bequeathed and blest your life?—that so, for you also, and for your children, the days of strength, and the light of memory, may be long in this lovely land which the Lord your God has given you. ”
“ It is true that to do anything perfectly well is about equally difficult; and I suppose that in a chariot race, a tournament, or a modern game at cricket, the manual art of the most highly-trained men would be almost equally fine; still, practically, in Gothic chivalry, the knight trusted more to his weight and less to his skill than a Greek did; nor could a horse’s pace under armour ever render precision of aim so difficult as at unarmed speed. ”
“ Be assured that you can no more drag or compress men into perfection than you can drag or compress plants. If ever you find yourselves set in a position of authority, and are entrusted to determine modes of education, ascertain first what the people you would teach have been in the habit of doing, and encourage them to do that better. Set no other excellence before their eyes; disturb none of their reverence for the past; do not think yourselves bound to dispel their ignorance, or to contradict their superstitions; teach them only gentleness and truth ”
“ And now, passing from art to science, the unselfishness of sophia is shown by the value it therein attaches to every part of knowledge, new or old, in proportion to its real utility to mankind, or largeness of range in creation. The selfishness which renders sophia impossible, and enlarges the elastic and vaporous kingdom of folly, is shown by our caring for knowledge only so far as we have been concerned in its discovery, or are ourselves skilled and admired in its communication. ”
“ In my last lecture I asserted the positive and negative powers of literature, art, and science; and endeavoured to show you some of the relations of wise art to foolish art. To-day we are to examine the nature of these positive and negative powers in science; it being the object of every true school to teach the positive or constructive power, and by all means to discourage, reprove, and extinguish the negative power.It is very possible that you may not often have thought of, or clearly defined to yourselves, this destructive or deadly character of some elements of science. ”
“ All these four men were as high in intellect and moral sentiment as in art-power; and if they had engraved as Giotto painted, with popular and unscientific simplicity, would have left an inexhaustible series of prints, delightful to the most innocent minds, and strengthening to the most noble.But two of them, Mantegna and Dürer, were so polluted and paralyzed by the study of anatomy that the former’s best works (the magnificent mythology of the Vices in the Louvre, for instance) are entirely revolting to all women and children; while Dürer never could draw one beautiful female form or face ”
“ We are so much, by the chances of our time, accustomed to think of science as a process of discovery, that I am sure some of you must have been gravely disconcerted by my requesting, and will to-day be more disconcerted by my firmly recommending, you to use the word, and reserve the thought, of science, for the acquaintance with things long since discovered, and established as true. We have the misfortune to live in an epoch of transition from irrational dulness to irrational excitement ”
“ Ah, dear Chaerephon, it is likely that we are poor and blunt judges of what is possible and not: for we judge by comparing to human power a power unknown to us, unimaginable, and unseen. Many things, therefore, that are easy, seem to us difficult; and many things unattainable that may be attained; being thus thought of, some through the inexperience, and some through the infantine folly, of our minds. For in very deed every man may be thought of as a child—even the oldest of us,—since the full time of life is little, and as a baby’s compared to universal time. ”
