W. G. Collingwood

W. G. Collingwood

Summary

Portrait of W. G. Collingwood W. G. Collingwood The Life of John Ruskin

He was not to be a poet—that was too definitely bound up with the past which he wanted to forget, and with conventionalities which he wished to shake off; not to be an artist, strugging with the rest to please a public which he felt himself called upon to teach; not a man of science, for his botany and geology were to be the means, and not the ends, of his teaching; but the mission was laid upon him to tell the world that Art, no less than other spheres of life, had its Heroes; that the mainspring of their energy was Sincerity, and the burden of their utterance, Truth.
Source: Gutenberg

Portrait of W. G. Collingwood W. G. Collingwood The Life of John Ruskin

This is such a nice place that I am going to stay till Monday: an enormous old-fashioned house—full of galleries and up and down stairs—but with magnificently large rooms where wanted: the drawing-room is a huge octagon—I suppose at least forty feet high—like the tower of a castle (hung half way up all round with large and beautiful Turner and Raphael engravings) and with a baronial fireplace:—and in the evening, brightly lighted, with the groups of girls scattered round it, it is a quite beautiful scene in its way.
Source: Gutenberg

Portrait of W. G. Collingwood W. G. Collingwood The Life of John Ruskin

And as the winter ran out, he was ending his work, happy in the applause of his little domestic circle, and conscious that he was preaching the crusade of Sincerity, the cause of justice for the greatest landscape artist of any age, and justice, at the hands of a heedless public, for the glorious works of the supreme Artist of the universe. Let our young painters, he concluded, go humbly to Nature, "rejecting nothing, selecting nothing, and scorning nothing," in spite of Academic theorists, and in time we should have a school of landscape worthy of the inspiration they would find.
Source: Gutenberg

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