“ And with it came so black a phantom of despair that Adela closed her eyes shudderingly, lay back as one lifeless, and wished that it were possible by the will alone to yield the breath and cease. The night pulsed about her, beat regularly like a great clock, and its pulsing smote upon her brain. To-morrow she must follow her husband, who would come to lead her home. Home? what home had she? What home would she ever have but a grave in the grassy churchyard of Wanley? Why did death spare her when it took the life which panted but for a moment on her bosom? ”
George Gissing
Summary
George Gissing’s Demos, published in the late 19th century, examines the interconnected lives of characters such as Adela, Mutimer, and Richard, as they grapple with themes of personal despair, marital conflict, and social expectation. Through Adela’s inner struggles—highlighted by lines such as her haunting observation on the “horrid truth of things”—the novel explores the conflict between personal longing and ethical duty, often shaped by the heavy burden of time and responsibility.
Gissing’s depiction of relationships, from Adela’s tense marriage to Mutimer’s solitary contemplation, emphasizes the novel’s focus on human fragility and the quest for significance in a rigidly ordered world. The work’s strength lies in its unflinching look at how personal flaws and societal constraints influence the delicate structure of human bonds.
Quotes from Demos (George Gissing)
“ It is in wakings such as these that Time finds his opportunity to harry youth; every such unwinds from about us one of the veils of illusion, bringing our eyes so much nearer to the horrid truth of things. Adela shrank from the need of rising; she would have abandoned herself to voiceless desolation, have lain still and dark whilst the current of misery swept over her, deeper and deeper. When she viewed her face, its ring-eyed pallor fascinated her with incredulity. Had she looked at all like that whilst Hubert Eldon and the others were talking to her? ”
“ You will go far before you find virtue in which there is no dear sustaining comfort of self. For my part, Adela is more to me for the imperfection, infinitely more to me for the confession of it in her own mind. How can a woman be lovelier than when most womanly, or more precious than when she reflects her own weakness in clarity of soul? As she made her way through the wood her trouble of conscience was lost in deeper suffering. The scent of undergrowths, which always brought back to her the glad days of maidenhood, filled her with the hopelessness of the future. ”
