George Kibbe Turner

George Kibbe Turner

Summary

Portrait of George Kibbe Turner George Kibbe Turner,  Moonlight (Kibbe Turner) — Part I (1921)

“ Women were not the primary interest of John Schmaar; yet this does not mean he was insensible to their charms, nor that he was immune to the intimate appeal of a pretty woman—flushed, crying, helpless, alone. He felt the soft warmth of her arm under his palm. When she shook her head, the fragrance of her hair—the faint, costly fragrance of some individual perfume—came to his nostrils. The girl was a charmer—all that could be desired. The last of modern delicacies—rare, costly, exquisite—that money makes for men's delight! ”
Source: Wikisource

Portrait of George Kibbe Turner George Kibbe Turner,  Moonlight (Kibbe Turner) — Part I (1921)

“ John Schmaar still watched her—took inventory, as he did with everyone, man or woman, with whom he had dealings. A fragile, exquisite thing, light as a hothouse flower in the hand of a buyer—and just about as costly for its weight. A thing made for money, as truly as an orchid.
She certainly was exquisite. No wonder that big Westerner—that Babe Gladden, as they called him—was so crazy over her.
”
Source: Wikisource

Portrait of George Kibbe Turner George Kibbe Turner,  Moonlight (Kibbe Turner) — Part I (1921)

“ Eloise Hunter, the lean one with the big eyes, who played up to the men so hard, was there that afternoon, as was a new man, a Captain Armitage, one of the stiff, silent kind who sit still and let the women talk to them—which this Hunter girl was always glad to do. Having quite a trick at that sort of thing, she was telling over again for his benefit the story of the Lovers' Leap, and the self-sacrificing Indian maid.
“Right here,” she said, rolling up her big eyes at him. “She stood right here where we are now. A hundred years ago—in the moonlight! I can imagine perfectly!
”
Source: Wikisource

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