George Kibbe Turner

George Kibbe Turner

Summary

Portrait of George Kibbe Turner George Kibbe Turner,  The Falling Bean (1924)

“ For now, with the end of the war, all these men—all these ex-magazine writers, and lady writers and ex-newspapermen— will go back to their homes, scattered through every hamlet, every city, every county in the country—sore, irritated, out of a job, hating me as no man was ever hated before; and scattering, like the last bomb in a Fourth of July fireworks, through every congressional district of this broad land, this false, damnable, unprintable, but for that very reason irrefutable fabrication of the speculations of my secretary's aunt in the bean market. ”
Source: Wikisource

Portrait of George Kibbe Turner George Kibbe Turner,  The Falling Bean (1924)

“ The huge national publicity drive, which was to end the Great War, was on—the drive for the conservation of the bean. On every wall, in every newspaper, upon every tongue was the slogan: Beans for Our Boys. Six million school children were working every evening on their national prize essays on The Message of the Bean. Beautiful artists' models of every type were seen on every billboard, bending tenderly over flowering beans. Upon every woman's page in the press appeared the model menus for beanless days. ”
Source: Wikisource

Portrait of George Kibbe Turner George Kibbe Turner,  The Falling Bean (1924)

“ A sense of resentment, of injustice, came over his fine sensitive face. What right had John Bunyan Jones—what right had Ben Bumpus Boone—always so ostentatiously their friends—to withhold their private information from the Government's publicity agents from the accredited agents of a country at war; and give it to this distant woman—this aunt of John Bunyan Jones, in the Sandwich Islands? This wealthy woman, whom no one ever knew; whom no one would ever see. Who now lay dead—so suddenly dead, in Honolulu! ”
Source: Wikisource

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