Summary

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

It is not pleasant for a young husband, fancying his bride the peerless flower of Creation, to learn that he must humour a little woman in her. It was revolting to Richard.
“What I fear,” he said, “is, that my father will make it smooth with me, and not acknowledge her: so that whenever I go to him, I shall have to leave her, and tit for tat—an abominable existence, like a ball on a billiard-table. I won’t bear that ignominy. And this I know, I know! she might prevent it at once, if she would only be brave, and face it. You, you, Lady Judith, you wouldn’t be a coward?”
Source: Gutenberg

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

She pats her hand quietly against her bosom, and he knows where it rests. O love! O heaven!
They are aroused by the harsh grating of the bow of the boat against the shingle. He jumps out, and lifts her ashore.
“See!” she says, as the blush of his embrace subsides—“See!” and prettily she mimics awe and feels it a little, “the cypress does point towards us. O Richard! it does!”
And he, looking at her rather than at the cypress, delighting in her arch grave ways—
“Why, there’s hardly any shadow at all, Lucy. She mustn’t dream, my darling!
Source: Gutenberg

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

What business had Ralph to write to her? Did she not belong to Richard Feverel? He read the words again and again: Clare Doria Forey. Why, Clare was the name he liked best—nay, he loved it. Doria, too—she shared his own name with him. Away went his heart, not at a canter now, at a gallop, as one who sights the quarry. He felt too weak to pull. Clare Doria Forey—oh, perfect melody! Sliding with the tide, he heard it fluting in the bosom of the hills.
When nature has made us ripe for love, it seldom occurs that the Fates are behindhand in furnishing a temple for the flame.
Source: Gutenberg

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