Summary

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

The bliss of the chaste was hers.
Says Lucy demurely: "Now you know why I read History, and that sort of books."
"Do I?" replies Berry. "Belike I do. Since what you done's so good, my darlin', I'm agreeable to anything. A fig for all the lords! They can't come anigh a baby. You may read Voyages and Travels, my dear, and Romances, and Tales of Love and War. You cut the riddle in your own dear way, and that's all I cares for."
"No, but you don't understand," persists Lucy. "I only read sensible books, and talk of serious things, because I'm sure... because I have heard say...dear Mrs. Berry!
Source: Gutenberg

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

He looked darkly. "Is it over? is it done, Richard?" Getting no immediate answer, she continued— and such was her agitation that the words were shaken by pieces from her mouth: "Don't pretend not to understand me, Richard! Is it over? Are you going to die the death of my child—Clare's death? Is not one in a family enough? Think of your dear young wife—we love her so!—your child!—your father! Will you kill us all?"
Mrs. Doria had chanced to overhear a trifle of Ripton's communication to
Adrian, and had built thereon with the dark forces of a stricken soul.
Source: Gutenberg

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

Richard have gone, Sir Austin! have gone from his wife and babe! Rum-te-um-te-iddledy—Oh, my goodness! what sorrow's come on us!" and Mrs. Berry wept, and sang to baby, and baby cried vehemently, and Lucy, sobbing, took him and danced him and sang to him with drawn lips and tears dropping over him. And if the Scientific Humanist to the day of his death forgets the sight of those two poor true women jigging on their wretched hearts to calm the child, he must have very little of the human in him.
Source: Gutenberg

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