Summary

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

What business had Ralph to write to her? Did she not belong to Richard Feverel? He read the words again and again: Clare Doria Forey. Why, Clare was the name he liked best—nay, he loved it. Doria, too—she shared his own name with him. Away went his heart, not at a canter now, at a gallop, as one who sights the quarry. He felt too weak to pull. Clare Doria Forey—oh, perfect melody! Sliding with the tide, he heard it fluting in the bosom of the hills.
When nature has made us ripe for love, it seldom occurs that the Fates are behindhand in furnishing a temple for the flame.
Source: Gutenberg

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

He leaned a little forward, drinking her in with all his eyes, and young Love has a thousand. Then truly the System triumphed, just ere it was to fall; and could Sir Austin have been content to draw the arrow to the head, and let it fly, when it would fly, he might have pointed to his son again, and said to the world, "Match him!" Such keen bliss as the youth had in the sight of her, an innocent youth alone has powers of soul in him to experience.
"O Women!" says The Pilgrim's Scrip, in one of its solitary outbursts, "Women, who like, and will have for hero, a rake!
Source: Gutenberg

Portrait of George Meredith George Meredith The Ordeal of Richard Feverel…

Adrian shrugged. Whenever the wise youth encountered a mental difficulty he instinctively lifted his shoulders to equal altitudes, to show that he had no doubt there was a balance in the case— plenty to be said on both sides, which was the same to him as a definite solution.
At their tryst in the wood, abutting on Raynham Park, wrapped in themselves, piped to by tireless Love, Richard and Lucy sat, toying with eternal moments. How they seem as if they would never end! What mere sparks they are when they have died out!
Source: Gutenberg

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