George Moore

George Moore

Summary

Portrait of George Moore George Moore,  The Untilled Field

“ You know as well as I do, Harding, that the art and literature of the fifteenth and sixteenth centuries were due to a sudden dispersal, a sudden shedding of the prejudices and conventions of the middle ages; the renaissance was a joyous returning to Hellenism, the source of all beauty. There is as little free love in Ireland as there is free thought; men have ceased to care for women and women to care for men. Nothing thrives in Ireland but the celibate, the priest, the nun, and the ox. There is no unfaith, and the violence of the priest is against any sensual transgression. ”
Source: Gutenberg

Portrait of George Moore George Moore,  The Untilled Field

“ At last the day came when the weary frog delayed too long and Ned watched him disappear down the snake's gullet.
A good deal of Ireland was down the clerical throat and all would go down if Ireland did not bestir herself. Ireland was weakening daily, and every part of her that disappeared made it more difficult for her to extricate herself. Ned remembered that life and death, sickness and health, success and failure, are merely questions of balance. A nation is successful when its forces are at balance, and nations rise and fall because the centre of gravity shifts.
”
Source: Gutenberg

Portrait of George Moore George Moore,  The Untilled Field

“ A continual smile floated round Peter's moustache, and he looked like a man to whom rebuffs made no difference. His eyes were patient and docile; and whether it was the presence of this great and true love by her side, or whether it was the presence of the priest, Kate did not know, but a great change came over her, and she said:—
"I know that Peter has been very good, that he has cared for me this long while .... If he wishes to make me his wife—"
When Kate gave him her hand there was a mist in his eyes, and he stood trembling before her.
”
Source: Gutenberg

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