George Ticknor

“ Thus, in Provence, which was long united with Aragon, and exercised an influence throughout the whole Peninsula, the popular poetry, from its light-heartedness, was called the Gaya Sciencia, and was essentially unlike the grave and measured tone, heard over every other, on the Spanish side of the mountains; in the more northern parts of France, a garrulous, story-telling spirit was paramount; and in Italy, Dante, Petrarca, and Boccaccio had just appeared, unlike all that had preceded them, and all that was anywhere contemporary with their glory. ”

“ In truth, we do not read it at all for its mere facts, which are often detailed with the minuteness and formality of a monkish chronicle; but for its living pictures of the age it represents, and for the vivacity with which it brings up manners and interests so remote from our own experience, that, where [p. 17] they are attempted in formal history, they come to us as cold as the fables of mythology. We read it because it is a contemporary and spirited exhibition of the chivalrous times of Spain, given occasionally with an Homeric simplicity altogether admirable. ”

“ And so it is with the ancient religious feeling that was so nearly akin to this loyalty. The Christian spirit, which gave an air of duty to the wildest forms of adventure throughout the country, during its long contest with the power of misbelief, was now fallen away into a low and anxious bigotry, fierce and intolerant towards every thing that differed from its own sharply defined faith, and yet so pervading and so popular, that the romances and tales of the time are full of it, and the national theatre, in more than one form, becomes its strange and grotesque monument. ”

“ Indeed, wherever we go under their leading, whether to the court of Tamerlane, or to that of Saint Ferdinand, we find the heroic elements of the national genius gathered around us; and thus, in this vast, rich mass of chronicles, containing such a body of antiquities, traditions, and fables as has been offered to no other people, we are constantly discovering, not only the materials from which were drawn a multitude of the old Spanish ballads, plays, and romances, but a mine which has been unceasingly wrought by the rest of Europe for similar purposes, and still remains unexhausted. ”

“ But it is not necessary to go farther into an examination of the old accounts of the discovery and conquest of Spanish America, though there are many more which, like those we have already considered, are partly books of travel through countries full of wonders, partly chronicles of adventures as strange as those of romance; frequently running into idle and loose details, but as frequently fresh, picturesque, and manly in their tone and coloring, and almost always curious from the facts they record and the glimpses they give of manners and character. ”

“ It is not so long as the Celestina or the Florinea, filling only seventy-three leaves in quarto, but it is an avowed imitation of both. Of the genius that gives such life and movement to its principal prototype there is little trace, nor has it an equal purity of style. But some of its declamations, perhaps,—though as misplaced as its pedantry,—are not without power, and some of its dialogue is free and natural. It claims everywhere to be very religious and moral, but it is any thing rather than either. ”

“ The sweet South, with its picturesque, though effeminate, refinement; the foreign, yet not absolutely stranger, manners of its people; its magnificent and fantastic architecture; the stories of the warlike achievements and disasters at Baza, at Ronda, and at Alhama, with the romantic adventures and fierce feuds of the Zegris and Abencerrages, the Gomeles and the Aliatares;—all took strong hold of the Spanish imagination, and made of Granada, its rich plain and snow [p. 147] capped mountains, that fairy land which the elder and sterner ballad poetry of the North had failed to create. ”

“ Only a little more than a century elapsed before the government that had threatened the world with a universal empire was hardly able to repel invasion from abroad, or maintain the allegiance of its own subjects at home. Life—the vigorous, poetical life which had been kindled through the country in its ages of trial and adversity—was evidently passing out of the whole Spanish character. As a people, they sunk away from being a first-rate power in Europe, till they became one of altogether inferior importance and consideration ”

“ In truth, the chronicles of no other nation can, on such points, be compared to them; not even the Portuguese, which approach the nearest in original and early materials; nor the French, which, in Joinville and Froissart, make the highest claims in another direction. For these old Spanish chronicles, whether they have their foundations in truth or in fable, always strike farther down than those of any other nation into the deep soil of the popular feeling and character. ”

“ For all the days I may live
Can only be filled with grief;
With Death I must ever strive,
And never from Death find relief.
So that Hope must desert me at last,
Since Death has not failed to see
That life will revive in me
The moment his arrow is cast. [722]
This was thought to be a tender compliment to the lady whose coldness had made her lover desire a death that would not obey his summons.
Thirty-seven Ballads succeed; a charming collection of wild-flowers, which have already been sufficiently examined when speaking of the ballad poetry of the earliest age of Spanish literature. ”

“ The old ballads, the old historical poems, the old chronicles, the old theatre,—all these, if only elements, are yet elements of a vigor and promise not to be mistaken. They constitute a mine of more various wealth than had been offered, under similar circumstances and at so early a period, to any other people. They breathe a more lofty and a more heroic temper. We feel, as we listen to their tones, that we are amidst the stir of extraordinary passions, which give the character an elevation not elsewhere to be found in the same unsettled state of society. ”

“ Compared with the Chronicle of Froissart, with which it was contemporary, we miss the honest-hearted, but somewhat childlike, enthusiasm that looks with unmingled delight and admiration upon all the gorgeous phantasmagoria of chivalry, and find, instead of it, the penetrating sagacity of an experienced statesman, who looks quite through the deeds of men, and, like Comines, thinks it not at all worth while to conceal the great crimes with which he has been familiar, if they can be but wisely and successfully set forth. ”

“ Romance-writing was at the height of its success. And the old ballad spirit—the true foundation of Spanish poetry—had received a new impulse and richer materials from the contests in which all Christian Spain had borne a part amidst the mountains of Granada, and from the wild tales of the feuds and adventures of rival factions within the walls of that devoted city. Every thing, indeed, announced a decided movement in the literature of the nation, and almost every thing seemed to favor and facilitate it. ”

“ There, the national heroes continued to fill the imaginations of men and satisfy their patriotism. Arthur was not heard of at all, and Charlemagne, when he appears in the old Spanish chronicles and ballads, comes only as that imaginary invader of Spain who sustained an inglorious defeat in the gorges of the Pyrenees. But in the next century things are entirely changed. The romances of France, it is plain, have penetrated into the Peninsula, and their effects are visible. ”

“ Like much of the rest of Europe, the southwestern portion, now comprising the kingdoms of Spain and Portugal, was affected by nearly all these different influences. Favored by a happy climate and soil, by the remains of Roman culture, which had lingered long in its mountains, and by the earnest and passionate spirit which has marked its people through their many revolutions down to the present day, the first signs of a revived poetical feeling are perceptible in the Spanish peninsula even before they are to be found, with their distinctive characteristics, in that of Italy. ”

“ Three hours before he gave up the ghost, he said to me: ‘Bachelor Cibdareal, I ought to have been born the son of a tradesman, and then I should have been a friar of Abrojo, and not a king of Castile.’ And then he asked pardon of all about him, if he had done them any wrong; and bade me ask it for him of those of whom he could not ask it himself. I followed him to his grave in Saint Paul’s, and then came to this lonely room in the suburbs; for I am now so weary of life, that I do not think it will be a difficult matter to loosen me from it, much as men commonly fear death. ”

“ And so ends the history of the Portuguese type of Amadis of Gaul, as it was originally presented to the world in the Spanish romances of chivalry; a fiction which, considering the passionate admiration it so long excited, and the influence it has, with little merit of its own, exercised on the poetry and romance of modern Europe ever since, is a phenomenon that has no parallel in literary history. ”

“ We have now gone over a considerable portion of the earliest Castilian literature, and quite completed an examination of that part of it which, at first epic, and afterwards didactic, in its tone, is found in long, irregular verses, with quadruple rhymes. It is all curious. Much of it is picturesque and interesting; and when, to what has been already examined, we shall have added the ballads and chronicles, the romances of chivalry and the drama, the whole will be found to constitute a broad basis, on which the genuine literary culture of Spain has rested ever since. ”

“ To their perpetual wars with the Moors had been added, from the end of the fourteenth century, an exasperated feeling against the Jews, which the government had vainly endeavoured to control, and which had shown itself, at different times, in the plunder and murder of multitudes of that devoted race throughout the country. Both races were hated by the mass of the Spanish people with a bitter hatred: the first as their conquerors; the last for the oppressive claims their wealth had given them on great numbers of the Christian inhabitants. ”

“ The Provençal literature, which appeared so early in Spain, and which, during the greater part of the period when it prevailed there, was in advance of the poetical culture of nearly all the rest of Europe, could not fail to exercise an influence on the Castilian, springing up and flourishing at its side. But, as we proceed, we must notice the influence of another literature over the Spanish, less visible and important at first than that of the Provençal, but destined subsequently to become much wider and more lasting;—I mean, of course, the Italian. ”

“ Indeed, that the Castilian, in the early part of the century, had obtained a real supremacy in whatever there was of poetry and elegant literature along the shores of the Mediterranean cannot be doubted; for, before the death of Heredia, Boscan had already deserted his native Catalonian, and begun to form a school in Spanish literature that has never since disappeared; and shortly afterwards, Timoneda and his followers showed, by their successful representation of Castilian farces in the public squares of Valencia, that the ancient dialect had ceased to be insisted upon in its own capital. ”

“ Since the time of Bouterwek, no foreigner has done so much to promote a knowledge of Spanish literature as M. Simonde de Sismondi, who was born at Geneva in 1773, and died there in 1842, honored and loved by all who knew his wise and generous spirit, as it exhibited itself either in his personal intercourse, or in his great works on the history of France and Italy,—two countries, to which, by a line of time-honored ancestors, he seemed almost equally to belong. ”

“ But he has thrown together what relates to earth and heaven, to the infernal regions and to Purgatory, in such an unhappy confusion, and he so mingles allegory, mythology, astrology, and known history, that his work turns out, at last, a mere succession of wild inconsistencies and vague, unmeaning descriptions. Of poetry there is rarely a trace; but the language, which has a decided air of yet elder times about it, is free and strong, and the versification, considering the period, is uncommonly rich and easy. ”

“ The grave and stately tone of the “Partidas” and the “General Chronicle” had not again been reached; the lighter air of the “Conde Lucanor” had not been attempted. Indeed, such wild and troubled times, as those of Peter the Cruel and the three monarchs who had followed him on the throne, permitted men to think of little except their personal safety and their immediate well-being.
But now, in the time of John the Second, though the affairs of the country were hardly more composed, they had taken the character rather of feuds between the great nobles than of wars with the throne ”