Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Crimes of England — Chapter IV. The Coming of the Janissaries (1916)

French kings and French regicides are both not only dead men but dead foreigners; the whole is a tapestry as decorative and as arbitrary as the Wars of the Roses. It was not so: we fought for something real when we fought for the old world against the new. If we want to know painfully and precisely what it was, we must open an old and sealed and very awful door, on a scene which was called Ireland, but which then might well have been called hell.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Crimes of England — Chapter IV. The Coming of the Janissaries (1916)

In Ireland the young world was represented by young men, who shared the democratic dream of the Continent, and were resolved to foil the plot of Pitt; who was working a huge machine of corruption to its utmost to absorb Ireland into the Anti-Jacobin scheme of England. There was present every coincidence that could make the British rulers feel they were mere abbots of misrule. The stiff and self-conscious figure of Pitt has remained standing incongruously purse in hand
Source: Wikisource

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