Gilbert Keith Chesterton

Gilbert Keith Chesterton

Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Man Who Knew Too Much (1922)

There in the clear sunlight and sea air, for an instant, all the tropical terrors of his own idle tale surrounded and suffocated him. It seemed indeed some demon tree of the swamps; a vegetable serpent that fed on men. Even the hideous farce in the fancy of digesting a whole man with the exception of his hat, seemed only to simplify the nightmare. And he found himself gazing dully at one leaf of the tree, which happened to be turned toward him, so that the odd markings, which had partly made the legend, really looked a little like the eye in a peacock's feather.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Man Who Knew Too Much (1922)

The wood of the strange trees, toward which the Squire was walking, lay so far forward on the headland, which ultimately almost overhung the sea, that it could be approached by only one path, which shone clearly like a silver ribbon in the twilight. The ribbon ran along the edge of the cliff, where the single row of deformed trees ran beside it all the way, and eventually plunged into the closer mass of trees by one natural gateway, a mere gap in the wood, looking dark, like a lion's mouth.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Man Who Knew Too Much (1922)

Oh, believe me, it is she who is the poet; she has the higher reason, and honor and valor are at rest in her soul."
"In short, she is uncommonly pretty," replied Ashe, with some cynicism. "I knew a murderess rather well who was very much like her, and had just that colored hair."
"You talk as if a murderer could be caught redhaired instead of red-handed," retorted Paynter. "Why, at this very minute, you could be caught red-haired yourself. Are you a murderer, by any chance?"
Source: Wikisource

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