Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

But I am myself convinced, that design, which is the foundation of both these arts, nay, rather the very soul of each, comprising and nourishing within itself all the essential parts of both, existed in its highest perfection from the first moment of creation, when the Most High having formed the great body of the world, and adorned the heavens with their resplendent lights, descended by his spirit, through the limpidity of the air, and penetrating the solid mass of earth, created man; and thus unveiled, with the beauties of creation, the first form of sculpture and of painting.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

I do not intend to deny that there must have been one who made the first commencement, for I know perfectly well that the first principle must have proceeded from some given time, and from some one person; neither will I deny the possibility that one may have assisted another, thus teaching and opening the way to design, to colour, and to relief ; for I know that our art is altogether imitation, of Nature principally, but also, for him who cannot soar so high, of the works of such as he esteems better masters than himself.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Painting and sculpture were the first to suffer, as arts ministering rather to pleasure than utility ; while architecture, being requisite to the comfort and safety of life, was still maintained, although not in its earlier excellence. Indeed, had it not been that sculpture and painting still placed before the eyes of the existing generation, the representations of those whom they were accustomed to honour, and to whom they gave an immortality, the very memory, both of one and the other, would have been soon extinguished.
Source: Wikisource

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