Cimabue

Definition and stakes

Portrait of John Ruskin John Ruskin,  Mornings in Florence

“ Before Cimabue, no beautiful rendering of human form was possible; and the rude or formal types of the Lombard and Byzantine, though they would serve in the tumult of the chase, or as the recognized symbols of creed, could not represent personal and domestic character. Faces with goggling eyes and rigid lips might be endured with ready help of imagination, for gods, angels, saints, or hunters—or for anybody else in scenes of recognized legend, but would not serve for pleasant portraiture of one's own self—or of the incidents of gentle, actual life. ”
Source: Wikisource

Portrait of Samuel Scoville, Jr. Samuel Scoville, Jr.,  Wild Folk (1922)

“ Yet, clumsy as its gait appeared, it was scarcely an instant before the bloody muzzle and red glaring eyes were thrust into the hole down which the chipmunk had disappeared. Much can be done, however, even in seconds, with a hair-trigger brain and nerves and muscles tensed by the fear of death. Like a flash, Chippy traversed the main passage of his burrow, dashed into a tunnel that forked off to the right, and then dived into a smaller branch, which angled off sharply from the larger tube. ”
Source: Wikisource

Allen Chaffee,  Fuzzy-Wuzz, a little brown bear of the Sierras (1922)

“ Just now the nursery cave was occupied by four of the most cunning baby chipmunks that ever were,—helpless at this age, without teeth. When Mother Chipmunk washed them, she would stand on her hind legs and take one up on her arms so that she could smooth its fur with her tongue.
Now these helpless babies would starve to death, she told herself. She must find a way to escape, if her life depended on it. And she must find it quickly, or she could never travel back all those miles the Ranger was taking her.
”
Source: Gutenberg

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