John Ruskin,
Mornings in Florence
“ Before Cimabue, no beautiful rendering of human form was possible; and the rude or formal types of the Lombard and Byzantine, though they would serve in the tumult of the chase, or as the recognized symbols of creed, could not represent personal and domestic character. Faces with goggling eyes and rigid lips might be endured with ready help of imagination, for gods, angels, saints, or hunters—or for anybody else in scenes of recognized legend, but would not serve for pleasant portraiture of one's own self—or of the incidents of gentle, actual life. ”
