Summary

Portrait of Glenway Wescott Glenway Wescott The Grandmothers — 8. THE DEAD. HIS GRANDMOTHER'S FINAL GRIEF. THE PHOTOGRAPH ALBUMS (1927)

She talked to her grandson with a startling sardonic gayety about these people and others like them who were dead: relatives whom she had happened not to love, his grandfather's friends, the friends of her friends. The disastrous comedies of their lives diverted her from the grief which was all that was left of hers; she could be as brave about their troubles as she had once been about her own. She dwelt without pity on their paradoxical characters, their avowals and frauds, their astonishing whims and failures; and at Alwyn's request identified among her photographs many of their faces.
Source: Wikisource

Portrait of Glenway Wescott Glenway Wescott The Grandmothers — 8. THE DEAD. HIS GRANDMOTHER'S FINAL GRIEF. THE PHOTOGRAPH ALBUMS (1927)

So his grandmother's family and friends had been scattered. The living were in California, New York, Montana, New Mexico; the dead lay in many places—perhaps no single burial ground could have held them all.
For Alwyn the cemetery at Hope's Corner took the place of a city child's park. In certain evergreens there were sparrows' nests which resembled untidy blond wigs; butcher birds lived in a cedar, and once or twice he found a dead mouse which they had hung on the thorn of a honey locust or a hawthorn. Old-fashioned roses, lying smothered in the grass, pricked his ankles.
Source: Wikisource

Portrait of Glenway Wescott Glenway Wescott The Grandmothers — 8. THE DEAD. HIS GRANDMOTHER'S FINAL GRIEF. THE PHOTOGRAPH ALBUMS (1927)

But he died, and at last Alwyn remembered him only when he looked at the photograph albums.
Mr. and Mrs. A. Rollo
A bridal pair before a vista painted on canvas, beside a taboret like a dancer with iron legs crossed at the knee.
The bride's coarse veil droops like a lace curtain against the groom's broadcloth. They are as shy as if they were young; but he is a little bald, and yesterday she was a spinster. Their eyes are looking, not for what they desire, but for the body of desire itself, lost and perhaps dead. Their mouths are the sort which will never tell whether they find it or not.
Source: Wikisource

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