Guy de Maupassant

Guy de Maupassant

Summary

Portrait of Guy de Maupassant Guy de Maupassant Boule De Suif

Loiseau, who had abstracted from the inn the timeworn pack of cards, thick with the grease of five years' contact with half-wiped-off tables, started a game of bezique with his wife.
The good sisters, taking up simultaneously the long rosaries hanging from their waists, made the sign of the cross, and began to mutter in unison interminable prayers, their lips moving ever more and more swiftly, as if they sought which should outdistance the other in the race of orisons; from time to time they kissed a medal, and crossed themselves anew, then resumed their rapid and unintelligible murmur.
Source: Wikisource

Portrait of Guy de Maupassant Guy de Maupassant Boule De Suif (1880)

Loiseau, under pretence of stretching his legs, went out to see if he could sell wine to the country dealers. The count and the manufacturer began to talk politics. They forecast the future of France. One believed in the Orleans dynasty, the other in an unknown savior—a hero who should rise up in the last extremity: a Du Guesclin, perhaps a Joan of Arc? or another Napoleon the First? Ah! if only the Prince Imperial were not so young! Cornudet, listening to them, smiled like a man who holds the keys of destiny in his hands. His pipe perfumed the whole kitchen.
Source: Wikisource

Portrait of Guy de Maupassant Guy de Maupassant Boule De Suif (1880)

The earthquake crushing a whole nation under falling roofs; the flood let loose, and engulfing in its swirling depths the corpses of drowned peasants, along with dead oxen and beams torn from shattered houses; or the army, covered with glory, murdering those who defend themselves, making prisoners of the rest, pillaging in the name of the Sword, and giving thanks to God to the thunder of cannon—all these are appalling scourges, which destroy all belief in eternal justice, all that confidence we have been taught to feel in the protection of Heaven and the reason of man.
Source: Wikisource

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