H. L. Mencken

H. L. Mencken

Summary

Portrait of H. L. Mencken H. L. Mencken Prejudices, fifth series (1926)

I know of no American who starts from a higher level of aspiration than the journalist. He is, in his first phase, genuinely romantic. He plans to be both an artist and a moralist—a master of lovely words and a merchant of sound ideas. He ends, commonly, as the most depressing jackass in his community—that is, if his career goes on to what is called success. He becomes the repository of all its worst delusions and superstitions. He becomes the darling of all its frauds and idiots, and the despair of all its honest men.
Source: Gutenberg

Portrait of H. L. Mencken H. L. Mencken Prejudices, fifth series (1926)

Nevertheless, if I were a fellow of public spirit and eager to poison the Republic with my sagacity, I’d rather be editor of the Nation than editor of any of the other journals that I have mentioned—nay, I’d rather be editor of the Nation than editor of all of them together, with every other newspaper and magazine in America, save perhaps four or five, thrown in. For the Nation is unique in American journalism for one thing: it is read by its enemies.
Source: Gutenberg

Portrait of H. L. Mencken H. L. Mencken Prejudices, fifth series (1926)

Criticism among us is vastly less cloistered than it once was. Even professors of the loftiest tone, if they would have themselves attended to, must descend from their ivory towers and show themselves at the sea-level. The aloof and austere spirit is now viewed with suspicion. There are, I daresay, ancients who deplore the change. A natural regret, for it has made criticism vastly more difficult. But few deplore it, I believe, who know what literature really is—few, that is, who know the difference between mere intellectual prettiness and a body of living ideas.
Source: Gutenberg

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