Summary

Portrait of H. L. Mencken H. L. Mencken Prejudices, Third Series

The essential thing about democracy, as every one must know, is that it is a device for strengthening and heartening the have-nots in their eternal war upon the haves. That war, as every one knows again, has its psychological springs in envy pure and simple—envy of the more fortunate man’s greater wealth, the superior pulchritude of his wife or wives, his larger mobility and freedom, his more protean capacity for and command of happiness—in brief, his better chance to lead a bearable life in this worst of possible worlds.
Source: Gutenberg

Portrait of H. L. Mencken H. L. Mencken Prejudices, Third Series

Nor can the philosopher. Nor can the man of science. The best and clearest thinking of the world is done and the finest art is produced, not by men who are hungry, ragged and harassed, but by men who are well-fed, warm and easy in mind. It is the artist’s first duty to his art to achieve that tranquility for himself. Shakespeare tried to achieve it; so did Beethoven, Wagner, Brahms, Ibsen and Balzac. Goethe, Schopenhauer, Schumann and Mendelssohn were born to it. Joseph Conrad, Richard Strauss and Anatole France have got it for themselves in our own day.
Source: Gutenberg

Portrait of H. L. Mencken H. L. Mencken Prejudices, Third Series

They are pleased so long as the critic confines himself to the modest business of interpreting them—preferably in terms of their own estimate of themselves—but the moment he proceeds to adorn their theme with variations of his own, the moment he brings new ideas to the enterprise and begins contrasting them with their ideas, that moment they grow restive. It is precisely at this point, of course, that criticism becomes genuine criticism; before that it was mere reviewing. When a critic passes it he loses his friends. By becoming an artist, he becomes the foe of all other artists.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature