Thomas Raynesford Lounsbury

Thomas Raynesford Lounsbury

Summary

Portrait of Thomas Raynesford Lounsbury Thomas Raynesford Lounsbury James Fenimore Cooper

He had neither the skill nor power to draw the varied figures with which Scott, with all the reckless prodigality of genius, crowded his canvas. Yet in the gorgeous gallery of the great master of romantic fiction, alive with men and women of every rank in life and of every variety of nature, there is, perhaps, no one person who so profoundly impresses the imagination as Cooper's crowning creation, the man of the forests.
Source: Gutenberg

Portrait of Thomas Raynesford Lounsbury Thomas Raynesford Lounsbury James Fenimore Cooper

Cooper had written, "that as nature has given its periods to the stages of animal life, it has also set limits to all moral and political ascendency. While the city of the Medici is receding from its crumbling walls, like the human form shrinking into 'the lean and slippered pantaloon,' the Queen of the Adriatic sleeping on her muddy isles, and Rome itself is only to be traced by fallen temples and buried columns, the youthful vigor of America is fast covering the wilds of the West with the happiest fruits of human industry."
Source: Gutenberg

Portrait of Thomas Raynesford Lounsbury Thomas Raynesford Lounsbury James Fenimore Cooper

In this lofty valley among the hills were also to be found, then as now, in fullest perfection, the clear atmosphere, the cloudless skies, and the brilliant light of midsummer suns, that characterize everywhere the American highlands. More even than the beauty and majesty of nature that lay open to the sight was the mystery that constantly appealed to the imagination in what might lie hidden in the depths of a wilderness that swept far beyond glance of eye or reach of foot.
Source: Gutenberg

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