Summary

Portrait of Hall Caine Hall Caine The drama of three hundred and sixty-five days (1915)

When I hear people say that Great Britain is not yet awake to the fact that she is at war I wonder where they keep their eyes. If I had been a Rip Van Winkle, suddenly awakened after twenty years of sleep, or yet an inhabitant of Mars dropped down on our part of this planet, I think I should have known in any five minutes of any day since August 5, 1914, that Great Britain was at war. Such a spirit has never breathed through our Empire during my time, or yet through any other empire of which I have any knowledge.
Source: Wikisource

Portrait of Hall Caine Hall Caine The drama of three hundred and sixty-five days (1915)

Not a theologian, a philosopher, an historian, or a poet to recall the past of his country, to warn it not to repeat the crime of a century and a half before, which had stained its name for ever before the tribunals of man and God; not a statesman to remind a generation that was too young to remember 1870 of the miseries and horrors of war, for (alas for the welfare of the world!) the one great German voice that could have done so with searching and scorching eloquence, the voice of Bebel, had only just been silenced by the grave.
Source: Wikisource

Portrait of Hall Caine Hall Caine The drama of three hundred and sixty-five days (1915)

It is one of the effects of the spirit of cruelty to strike its victims with moral blindness. If it were possible that the German conscience could justify murder on the sea, why should it not justify it on land? Why should not our German governesses burn down the houses in which our children lay asleep? Why should not a German secretary attempt to assassinate one of our public ministers? War was war, and whatever was necessary was right. "We are doing wrong, but it is necessary to do wrong, and necessity knows no law."
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature