Harold Bindloss

Harold Bindloss

Summary

Portrait of Harold Bindloss Harold Bindloss The Girl from Keller's

Much depended on her firmness, and she might find the job harder than she thought; but on the whole he imagined she would be equal to the strain.
A week later, Charnock sat, one afternoon, in the saddle of his gang-plow, tearing a row of furrows through the dusty sod. The sweating horses moved leisurely, and he did not urge them as he moodily watched the tangled grass part before the shares and vanish beneath the polished surface of the turned-up clods. He was breaking new soil, doing work that would be paid for in the future, and knew the reward of his labor might never be his.
Source: Gutenberg

Portrait of Harold Bindloss Harold Bindloss The Girl from Keller's

It was a bitter afternoon when Charnock got down at the little prairie station that was marked by a water-tank, the agent's shack, and the lower frames of three unfinished grain elevators. He hired a rig at the livery stable, and borrowing a fur-robe started on his drive across the plain. The landscape was empty and featureless except for the gray smears of distant bluffs. Nothing moved on the white expanse, and there was no sound but the measured thud of the horses' feet; the air was still and keen with frost.
Source: Gutenberg

Portrait of Harold Bindloss Harold Bindloss The Girl from Keller's

It was raining when the construction train rolled noisily through a mountain gorge, and he stood at the door of the caboose, looking out. Three or four hundred feet below, a green river, streaked with muddy foam, brawled among the rocks, for the track had been dug out of a steep hillside. Festing knew this was difficult work; one could deal with rock, although it cost much to cut, but it was another matter to bed the rails in treacherous gravel, and the fan-shaped mounds of shale and soil that ran down to the water's edge showed how loose the ground was and the abruptness of the slope.
Source: Gutenberg

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