Harold Lamb

Harold Lamb

Summary

Portrait of Harold Lamb Harold Lamb The Voice in the Drum (1923)

Riding closer, the hunter made it out to be a man. Loosening the rifle in the saddle sheath, because he had by no means forgotten Mo Yan, he whistled. The man was no bigger than a dwarf, almost as broad as he was high, with tiny, twinkling eyes hidden under wide, bushy brows.
Under the bearskin that covered shoulders and head, long black hair hung, under this string after string of tiny iron ornaments shaped like animals. The skin of the face was wrinkled with age. The man ceased digging feebly in the hard clay and fell to staring banefully at Black Gordon.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The Voice in the Drum (1923)

Gordon and Rand were ushered by Red Button to a bench in front of the tables, the candles and Mo Yan. They could see, in the dim light, lines of men squatting on the floor near one wall, and servants and women on the other side. But the space around them was clear. As far as Gordon could see, none of the visiting chieftains were armed. Nor was there a sign of a weapon about the massive form of Mo Yan.
But the hunter's instinct warned him that he was being watched—watched and covered by deadly weapons.
Source: Wikisource

Portrait of Harold Lamb Harold Lamb The Voice in the Drum (1923)

I've seen these old Mongols do curious things. They have lived with animals for so long that they have a kind of understanding with them. Laps and Finns, their kinsmen, for instance, are the only human beings who know how to manage reindeer——"
"Bunk," said the hunter impatiently. "All magic is bunk."
He would have said more just then, but Sham, as if grasping the meaning behind his words, took his hand from the drum. As he did so the big leather cylinder rolled over half way and stopped. Rand stepped back as if he had seen a snake.
Source: Wikisource

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