Harold MacGrath

Harold MacGrath

Summary

Portrait of Harold MacGrath Harold MacGrath The Luck of the Irish (1917)

William continued to pull himself along. He turned the corner finally. The full wind caught him and slammed him violently against the deck-house. His solid meat and bone were like so much straw. The impact knocked the breath out of him, and he clung to the hand-rail, gasping. He battled in vain to turn his face to windward; each attempt left him blind and breathless. His strength was of paper. The swoop of the wind sucked the air out of his lungs—zip!—like that; and he had to bury his face in the crook of his arm to get anything like a full breath.
Source: Wikisource

Portrait of Harold MacGrath Harold MacGrath The Luck of the Irish (1917)

She knew Ruth Warren for what she was.
One morning, some days later, she sprang out of bed, stronger than she had been at any time during her convalescence. Life! Real life, the day-by-day affairs; never again to look at life obliquely, but squarely; to accept the inevitable, clear-eyed, head high; to shoulder cheerfully the burden of each day and cheerfully to lay it down at night; to drive away the false gods of complacency and self-interest. ... Not her kind? No, William Grogan was not her kind. Never would she be able to pull herself up to his level.
Source: Wikisource

Portrait of Harold MacGrath Harold MacGrath The Luck of the Irish (1917)

And what of the other, the sleek, handsome yacht, with her white enamel, her polished brass, her dazzling awnings? A plaything, a rich man's plaything. William was without envy; his philosophy accepted the fact that there would always be an unequal distribution of wealth; he had no socialistic ideas. But he hated the Elsa, not because she was beyond his possession or represented one of the higher forms of luxury: she was a little kingdom which, to a certain extent, was beyond the reach of man's laws, ruled by a scoundrel whose lightest whim, right or wrong, was the only law.
Source: Wikisource

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