Harold MacGrath

Harold MacGrath

Summary

Portrait of Harold MacGrath Harold MacGrath The Pagan Madonna

Tired of human beings. Tired of myself. Still, there’s the chart. Mull it over. Maybe it’s an invitation. The lagoon is like turquoise and the land like emerald and the sky a benediction.
A spell of silence and immobility. Not a word about his battle with Flint, thought Jane. A little shiver ran over her. But what a queer, whimsical madman! To have planned it all so that he could experience a thrill! The tragic beauty of his face and the pitiable, sluing, lurching stride! She sighed audibly, so did the two men.
Denny, I don’t know,” said Cleigh.
Source: Gutenberg

Portrait of Harold MacGrath Harold MacGrath The Pagan Madonna

Jane was one of those suffocating adventurers whom circumstance had fenced in. In fancy she beat her hands against the bars of this cage that had no door, but through which she could see the caravans of dreams. Sea room and sky room were the want of her, and no matter which way she turned—bars. Her soul craved colour, distances, mountain peaks; and about all she had ever seen were the white walls of hospital wards. It is not adventure to tend the sick, to bind up wounds, to cheer the convalescing; it is a dull if angelic business.
Source: Gutenberg

Portrait of Harold MacGrath Harold MacGrath The Pagan Madonna

No time,” said Cunningham. “Besides, the moment one of these trips is over it ends; I can recount it only sketchily.”
“But even sketchily it would be tremendously interesting. It is as if you were playing a game with death for the mere sport of it.”
“Maybe that hits it, though I’ve never stopped to analyze. I never think of death; it is a waste of gray matter. I should be no nearer death in Tibet than I should be asleep in a cradle. Why bother about the absolute, the inevitable? Humanity wears itself out building bridges for imaginary torrents.
Source: Gutenberg

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