Harvey O'Higgins

Summary

Harvey O'Higgins Caste in Criticism (1916)

There is with us a sneer in the word amateur,—one who practises an art for the love of it,—and the professional is the man whom we admire, because of his greater skill. We share somewhat, with the British, their dislike of professionalism in sport and politics, those traditional occupations of the leisure classes; but we scarcely share at all their suspicion of professionalism in art, and we have little of their reverence for ornamental culture or for erudition that has no useful end. We compel our arts and our sciences to serve us, and to earn their livings, or be slighted.
Source: Wikisource

Harvey O'Higgins Caste in Criticism (1916)

In America, with a democratic ideal and a wholly industrial basis for society, such prejudices are not yet very strong. Our leisure class is not large enough to impose them on us, although it has imported them in some degree for its own edification. We have little of the feeling that a gentleman must be a gentleman of leisure or engage only in pursuits that are not mercenary. We are more inclined to consider idleness a disgrace and to despise an occupation that is merely ornamental.
Source: Wikisource

Harvey O'Higgins Caste in Criticism (1916)

It is equally notorious that the judgments of academic criticism have been almost invariably wrong when the judgment was delivered on its contemporary art.
Such considerations need not deceive us into believing that what is popular in American art is therefore good. But they may console us for much of the foreign condemnation of what is popular. As foreign art, as British art particularly, is an entertainment for the leisure classes, so foreign criticism, and particularly British criticism, forms its judgments according to the prejudices of the leisure classes.
Source: Wikisource

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