Holworthy Hall

Holworthy Hall

Alibi (1916)

Summary

Portrait of Holworthy Hall Holworthy Hall Alibi (1916)

Seen from the elevation of the veranda, the course is beautiful rather than suggestive of good golf; it presents the cultivated appearance of a millionaire's lawn, landscaped by the king of expert gardeners. Trees by Corot and brooks by Inness lie in a background of charming composition; vast reaches of lawn in the middle distance temper the glare of sunlight; far to the east a Maxfield Parrish harbor sleeps peacefully beneath a blanket of clouds by Elmer Garnsey. The sheer sweep of turf is nowhere marred by unsightly sand-pits; the ungainly cop-bunker is visible not at all.
Source: Wikisource

Portrait of Holworthy Hall Holworthy Hall Alibi (1916)

Obviously, to the stranger on the veranda, it is too well manicured to offer sport. It is too refined. It lacks the complications without which no true golfer can be content. It should be maintained exclusively for poets and artists; surely it is n't a test course for a red-blooded human being equipped with a dreadnought driver and a heavy mashy which scars the ground at every shot. Why, for a man to take turf at Warwick would be equivalent to mayhem!
Source: Wikisource

Portrait of Holworthy Hall Holworthy Hall Alibi (1916)

Not merely against par does one compete at Warwick; not against the decrepit and outlawed colonel; not even against an opponent in the flesh: the game is played against the fiendish imagination and ingenuity of Donald Ross. Witness the unexpected, hanging side-hill lies; witness the undulating greens of almost impossible keenness; witness the paucity of hazards, the infrequency of rough, the astonishing presence of both whenever a shot wanders fitfully from the line of geometrical progress.
Source: Wikisource

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