Summary

Portrait of P. G. Wodehouse P. G. Wodehouse The Clicking of Cuthbert — Chapter 2 (1922)

I cannot recall a lovelier summer day than that on which the great Todd-Willard eighteen-hole match took place. It had rained during the night, and now the sun shone down from a clear blue sky on to turf that glistened more greenly than the young grass of early spring. Butterflies flitted to and fro; birds sang merrily. In short, all Nature smiled. And it is to be doubted if Nature ever had a better excuse for smiling—or even laughing outright; for matches like that between James Todd and Peter Willard do not occur every day.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse The Clicking of Cuthbert — Chapter 2 (1922)

To your right, on the first tee, stand the cheery optimists who are about to make their opening drive, happily conscious that even a topped shot will trickle a measurable distance down the steep hill. Away in the valley, directly in front of you, is the lake hole, where these same optimists will be converted to pessimism by the wet splash of a new ball. At your side is the ninth green, with its sinuous undulations which have so often wrecked the returning traveller in sight of home.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse The Clicking of Cuthbert — Chapter 2 (1922)

Miss Forrester swung her tennis racket irritably.
"Golf," she said, "bores me pallid. I think it is the silliest game ever invented!"
The trouble about telling a story is that words are so feeble a means of depicting the supreme moments of life. That is where the artist has the advantage over the historian. Were I an artist, I should show James at this point falling backwards with his feet together and his eyes shut, with a semi-circular dotted line marking the progress of his flight and a few stars above his head to indicate moral collapse.
Source: Wikisource

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