Summary

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — 'Enery (1915)

But, beyond her influence on the house, Mrs. Carter, in her own physical and actual presence, tortured Henry. When she was in the room, Henry suffered agony. He would creep away were he allowed, and, if that were not possible, then he would retreat into the most distant corner and watch. If he were in the room his eyes never left Mrs. Carter for a moment, and it was this brooding gaze more than his disapproval that irritated her. "You never can tell with poor little dears when they're 'queer' what fancies they'll take. Why, he quite seems to dislike me, Mrs. Slater!"
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — 'Enery (1915)

Carter burst into reluctant but passionate tears, asserting that Life and Mr. Carter had been, from the beginning, against her; that she had committed, indeed, acts of folly in the past, but only when driven desperately against a wall; that she bore no grudge against any one alive, but loved all humanity; that she was going to do her best to be a better woman, but couldn't really hope to arrive at any satisfactory improvement without Mrs. Slater's assistance; that Mrs. Slater, indeed, had shown her a New Way, a New Light, a New Path.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — 'Enery (1915)

His mother watched him with maternal pride. "He's that contented!" she would say. "Any other child would plague your life away, but 'Enery——"
It was part of Henry's unusual mind that he wondered at nothing. He remained in constant expectation, but whatever was to come to him it would not bring surprise with it. He was in a world where anything might happen. In all the house his favourite room was the high, thin drawing-room with an old gold mirror at one end of it and a piano muffled in brown holland.
Source: Wikisource

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