I. A. R. Wylie

I. A. R. Wylie

“Pals” (1918)

Summary

Portrait of I. A. R. Wylie I. A. R. Wylie,  “Pals” (1918)

“ To Bill Higgins there was nothing to differentiate between them. They were all the same,—huge, frowning monuments to the glory of an ill-gotten wealth—and inside were the same people, bloated, slothful, slave-driving plutocrats. In his hunger of body and bitterness of spirit he would willingly have blown them all to their well-merited deserts—had he possessed the power. Not having the power he chose instead a propitious moment to slip down the area steps of one of the most pompous-looking dwellings, there to wait until, the special policeman having made his rounds, the coast would be clear. ”
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie,  “Pals” (1918)

“ Her small elfish face was clasped between two grubby paws, and she glowered at him fiercely. “They tikes away poor folks' earnings,” she added. “They's the para-parakites wot sucks the blood out of us.”
The familiar claptrap sounded strangely incongruous on the childish lips. Peter Middleton bent over his work to hide his confusion.
“I think you'd find millionaires were pretty much like the rest of us,” he ventured meekly, “sometimes happy, more often pretty miserable. Food and soft raiment aren't everything, Victoria-Regina.”
”
Source: Wikisource

Portrait of I. A. R. Wylie I. A. R. Wylie,  “Pals” (1918)

“ His wife screamed.
“Bill—Bill—you're mad—don't do it—Bill—"
“'E took my job—don't you say nothink—I'll make 'im pay for it—”
He lurched forward. It was then that Victoria-Regina intervened. She slipped suddenly in front of him.
“Don't you do nothink, Father,” she said fiercely. “'E's my pal. Don't you do nothink to 'im.”
The sheer audacity of the thing sent the big man reeling back a step. In his blind rage he had almost struck her, and the horror of it sobered him, changing his madness to a sullen, miserable resignation.
”
Source: Wikisource

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