“ London, viewed in retrospect, seems a great, clumsy, slow-moving giant, with hair on his chest and soil under his nails; competent in the larger affairs and careless about the smaller ones; amply satisfied with himself and disdainful of the opinions of outsiders; having all of a man's vices and a good share of his virtues; loving sport for sport's sake and power for its own sake and despising art for art's sake. You do not have to spend a week or a month or a year in either Paris or London to note these things. ”
Irvin S. Cobb
Summary
"Europe Revised" by Irvin S. Cobb is a witty and observant travelogue that chronicles the author’s encounters with European cities like London and Paris, as well as the peculiarities of their cultures. Through sharp, satirical prose, Cobb dissects the contrasts between historical grandeur and modern urban life, focusing on the experiences of tourists, shopkeepers, and local customs.
The work juxtaposes the grandeur of European heritage with the everyday realities of travel, offering a humorous yet incisive reflection on cross-cultural encounters. Its central thesis—rooted in the author’s American perspective—reveals Europe as a tapestry of contradictions, where tradition and modernity coexist in unexpected ways.
Quotes from Europe Revised (Irvin S. Cobb)
“ Now, as I remarked at an earlier stage of these observations, there is another Paris besides this—a Paris of history, of art, of architecture, of literature, of refinement; a Paris inhabited by a people with a pride in their past, a pluck in their present, and a faith in their future; a Paris of kindly aristocrats, of thrifty, pious plain people; a Paris of students and savants and scientists, of great actors and great scientists and great dramatists. There is one Paris that might well be burned to its unclean roots, and another Paris that will be glorified in the minds of mankind forever. ”
“ From my readings of works of fiction describing the daily life of the English upper classes I know full well that the picture gallery is lined with family portraits; that each canvased countenance there shows the haughtily aquiline but slightly catarrhal nose, which is a heritage of this house; that each pair of dark and brooding eyes hide in their depths the shadow of that dread Nemesis which, through all the fateful centuries, has dogged this brave but ill-starred race until now, alas! the place must be let, furnished, to some beastly creature in trade, such as an American millionaire. ”
