Henry Louis Mencken

Henry Louis Mencken

Summary

Portrait of Henry Louis Mencken Henry Louis Mencken Europe After 8:15 (1914)

Always it's there, across the seas, for some one—maybe no longer you and me, exiles of the years in this far-away America—but still for some one younger, some one for whom the loves and adventures and the hazards of life are still so all-wondrous, so all-worth-while, so almighty. But, however old, however hardened by the trickeries of passing decades, those who have loved Paris, those to whom Paris has lifted her lips in youth, these never say good-bye to her. For in their hearts sings on her romance, for in their hearts march on the million memories of her gipsy days and nights.
Source: Wikisource

Portrait of Henry Louis Mencken Henry Louis Mencken Europe After 8:15 (1914)

For romance and gaiety in London are grafted to an otherwise unromantic and lugubrious hulk. All joys in that terrible city are lugged from overseas, and, in the process of suturing, the spontaneity has been lost, the buoyancy has disappeared, the honesty has vanished.
But no people can be without romance. No nation can withstand forever the engines of repression. Not all the moral lawmakers of England have succeeded in stamping out the natural impulses. Hypocrisy, that great mediator, sits into the game and stacks the cards. There is no more sensuous dining room in the world than the Savoy.
Source: Wikisource

Portrait of Henry Louis Mencken Henry Louis Mencken Europe After 8:15 (1914)

Or, despite its appearances, is it truly the gayest city in the world, redolent of romance, bristling with intrigue, polluted with perfume? It is. And, furthermore, it is far gayer than its reputation; for all has never been told. Gaiety in Vienna is an end, not a means. It is born in the blood of the people. The carnival spirit reigns. There are almost no restrictions, no engines of repression. Alongside the real Viennese night life, the blatant and spectacular caprices of Paris are so much tinsel.
Source: Wikisource

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