Isabella Lucy Bird Bishop

Summary

Isabella Lucy Bird Bishop Unbeaten Tracks in Japan — LETTER X-I (1880)

Can anything be more grotesque and barbarous than our "florists' bouquets," a series of concentric rings of flowers of divers colours, bordered by maidenhair and a piece of stiff lace paper, in which stems, leaves, and even petals are brutally crushed, and the grace and individuality of each flower systematically destroyed?
Kanaya is the chief man in this village, besides being the leader of the dissonant squeaks and discords which represent music at the Shinto festivals, and in some mysterious back region he compounds and sells drugs.
Source: Wikisource

Isabella Lucy Bird Bishop Unbeaten Tracks in Japan — LETTER X-I (1880)

To-day disappears in the abyss of nothingness; It is but the passing image of a dream, and causes only a slight trouble." It is the echo of the wearied sensualist's cry, "Vanity of vanities, all is vanity," and indicates the singular Oriental distaste for life, but is a dismal ditty for young children to learn. The Chinese classics, formerly the basis of Japanese education, are now mainly taught as a vehicle for conveying a knowledge of the Chinese character, in acquiring even a moderate acquaintance with which the children undergo a great deal of useless toil.
Source: Wikisource

Isabella Lucy Bird Bishop Unbeaten Tracks in Japan — LETTER X-I (1880)

Kanaya and his sister often pay me an evening visit, and, with Brunton's map on the floor, we project astonishing routes to Niigata, which are usually abruptly abandoned on finding a mountain-chain in the way with never a road over it. The life of these people seems to pass easily enough, but Kanaya deplores the want of money; he would like to be rich, and intends to build a hotel for foreigners.
Source: Wikisource

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