Summary

Portrait of James George Frazer James George Frazer The Golden Bough: A Study in Comparative Religion…

When the princess in the fairy tale asks the giant where he keeps his soul, he generally gives false or evasive answers, and it is only after much coaxing and wheedling that the secret is at last wrung from him. In his jealous reticence the giant resembles the timid and furtive savage; but whereas the exigencies of the story demand that the giant should at last reveal his secret, no such obligation is laid on the savage; and no inducement that can be offered is likely to tempt him to imperil his soul by revealing its hiding-place to a stranger.
Source: Gutenberg

Portrait of James George Frazer James George Frazer The Golden Bough: A Study in Comparative Religion…

Thus, as in the Sacaean festival at Babylon, the killing of a god may come to be confounded with the execution of a criminal.
If we ask why a dying god should be selected to take upon himself and carry away the sins and sorrows of the people, it may be suggested that in the practice of using the divinity as a scapegoat we have a combination of two customs which were at one time distinct and independent. On the one hand we have seen that it has been customary to kill the human or animal god in order to save his divine life from being weakened by the inroads of age.
Source: Gutenberg

Portrait of James George Frazer James George Frazer The Golden Bough: A Study in Comparative Religion…

The conception of the mistletoe as the seat of life of the oak would naturally be suggested to primitive people by the observation that while the oak is deciduous, the mistletoe which grows on it is evergreen. In winter the sight of its fresh foliage among the bare branches must have been hailed by the worshippers of the tree as a sign that the divine life which had ceased to animate the branches yet survived in the mistletoe, as the heart of a sleeper still beats when his body is motionless.
Source: Gutenberg

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