James Greenwood

Summary

James Greenwood Stirring scenes in savage lands (1865)

The signal is given, the war-song commences, and the mass moves simultaneously as if it were but one man. Every arm is in motion; every head turns at once; the feet of all strike the ground in time with such force that the vibration is felt for more than two hundred yards. Every muscle is in movement; every feature distorted; the most gentle countenance assumes a ferocious and savage expression. The more violent the contortions, the more beautiful the dance is considered.
Source: Gutenberg

James Greenwood Stirring scenes in savage lands (1865)

I do not wish to hear again about the dead rising; the dead cannot arise; the dead must not arise.’ ‘Why,’ I enquired, ‘can so great a man refuse knowledge and turn away from wisdom? Tell me, my friend, why I must not speak of a resurrection.’ Raising and uncovering his arm, which had been strong in battle, and shaking his hand as if quivering a spear, he replied, ‘I have slain my thousands, and shall they arise?’ Never before had the light of divine revelation dawned upon his savage mind, and of course his conscience had never accused him
Source: Gutenberg

James Greenwood Stirring scenes in savage lands (1865)

With us it is anxiety as to hereafter that makes death terrible; with the savage death is detestable only as a gravedigger, a malicious spirit who snatches him away from the world—where his children and his wives are, and where tobacco grows, and palm-trees yield good wine,—who snatches him away from all these good things and every other, and shuts him in the dark damp earth to decay like a rotten branch.
Source: Gutenberg

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