Summary

James Holman The narrative of a journey undertaken in the years 1819… (1825)

After a most delightful walk, enhanced by the fineness of the day, we reached the palace of Caserta, said to be the largest royal residence in Europe, and which we found a truly noble and magnificent structure. The building comprises nearly a square, and as the kitchens and offices are under-ground, there is as much contained beneath, as above the surface. After passing through a magnificent hall, we ascended a marble staircase, fine without a parallel, the massy balustrade composed of the richest workmanship, and of the whitest marble, said to be taken from an ancient temple near Naples.
Source: Gutenberg

James Holman The narrative of a journey undertaken in the years 1819… (1825)

In little more than three hours we arrived off the harbour of Calais, when the tide not answering for our making the pier, a boat came out for the mail, and I availed myself of the opportunity of going on shore; for this earlier accommodation I was charged five francs, a sum nearly equal to half the fare across the channel.
Behold me, then, in France! surrounded by a people, to me, strange, invisible, and incomprehensible; separated from every living being who could be supposed to take the least interest in my welfare, or even existence
Source: Gutenberg

James Holman The narrative of a journey undertaken in the years 1819… (1825)

Of the surviving edifices at Rome, the principal is the Pantheon itself. It still retains its majestic portico, and presents its graceful dome uninjured; the pavement laid by Agrippa and trodden by Augustus, still forms its floor; the compartments, and fluted pillars of rich marble, [187] that originally lined its walls, still adorn its inward circumference; the deep tints that age has thrown over it, only contribute to raise our dignity and augment our veneration
Source: Gutenberg

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