Jane Addams,
A Modern Lear
(1912)
“ If we may take the dictatorial relation of Lear to Cordelia as a typical and most dramatic example of the distinctively family tragedy, one will asserting its authority through all the entanglement of wounded affection, and insisting upon its selfish ends at all costs, may we not consider the absolute authority of this employer over his town as a typical and dramatic example of the industrial tragedy? One will directing the energies of many others, without regard to their desires, and having in view in the last analysis only commercial results? ”
