Summary

Portrait of Jane Addams Jane Addams Democracy and Social Ethics — Filial Relations (1902)

In reading the tragedy of King Lear, Cordelia receives a full share of our censure. Her first words are cold, and we are shocked by her lack of tenderness. Why should she ignore her father's need for indulgence, and be unwilling to give him what he so obviously craved? We see in the old king "the over-mastering desire of being beloved, selfish, and yet characteristic of the selfishness of a loving and kindly nature alone."
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Portrait of Jane Addams Jane Addams Democracy and Social Ethics — Filial Relations (1902)

But during this so-called preparation, her faculties have been trained solely for accumulation, and she has learned to utterly distrust the finer impulses of her nature, which would naturally have connected her with human interests outside of her family and her own immediate social circle. All through school and college the young soul dreamed of self-sacrifice, of succor to the helpless and of tenderness to the unfortunate. We persistently distrust these desires, and, unless they follow well-defined lines, we repress them with every device of convention and caution.
Source: Wikisource

Portrait of Jane Addams Jane Addams Democracy and Social Ethics — Filial Relations (1902)

But the situation is not even so simple as a conflict between her affections and her intellectual convictions, although even that is tumultuous enough, also the emotional nature is divided against itself. The social claim is a demand upon the emotions as well as upon the intellect, and in ignoring it she represses not only her convictions but lowers her springs of vitality. Her life is full of contradictions. She looks out into the world, longing that some demand be made upon her powers, for they are too untrained to furnish an initiative.
Source: Wikisource

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