Summary

Jean de La Fontaine Tales and Novels of J. de La Fontaine…

We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style. Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
Source: Gutenberg

Jean de La Fontaine Tales and Novels of J. de La Fontaine…

As everybody knows, the secret of pleasing the reader is not always based on regulation, nor even on symmetry; there is need of smartness and tastefulness, if we would strike home. How many of those perfect types of beauty do we see which never strike home, and of which nobody feels enamoured! We do not wish to rob Modern Authors of the praise that is due to them. Nicely turned lines, fine language, accuracy, elegance of rhyme are accomplishments in a poet.
Source: Gutenberg

Jean de La Fontaine Tales and Novels of J. de La Fontaine…

Wolves, foxes, bears, ne'er charity have shown;
And all the sire could give his darling care,
A staff and wallet, he was well aware
Fine patrimony, truly, for a child!
To which his mind was no way reconciled.
Bread few, 'twas clear, the hermit would deny,
And rich he might have been you may rely;
When he drew near, the children quickly cried
Here's father Philip—haste, the alms provide;
And many pious men his friends were found,
But not one female devotee around:
None would he hear; the FAIR he always fled
Their smiles and wiles the friar kept in dread.
Source: Gutenberg

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