Jessie Laidlay Weston

Summary

Jessie Laidlay Weston 1911 Encyclopædia Britannica (1911)

The earliest form of the Grail story, the Gawain-Bleheris version, exhibits a marked affinity with the characteristic features of the Adonis or Tammuz worship; we have a castle on the sea-shore, a dead body on a bier, the identity of which is never revealed, mourned over with solemn rites; a wasted country, whose desolation is mysteriously connected with the dead man, and which is restored to fruitfulness when the quester asks the meaning of the marvels he beholds (the two features of the weeping women and the wasted land being retained in versions where they have no significance)
Source: Wikisource

Jessie Laidlay Weston 1911 Encyclopædia Britannica (1911)

It is guarded by a body of chosen knights, or templars, and acts alike as a life and youth preserving talisman—no man may die within eight days of beholding it, and the maiden who bears it retains perennial youth—and an oracle choosing its own servants, and indicating whom the Grail king shall wed. The sole link with the Christian tradition is the statement that its virtue is renewed every Good Friday by the agency of a dove from heaven. The discrepancy between this and the other Grail romances is most startling.
Source: Wikisource

Jessie Laidlay Weston 1911 Encyclopædia Britannica (1911)

Why does a sacred relic provide purely material food? What connexion can there be between a precious stone, a baetylus, as Dr Hagen has convincingly shown, and Good Friday? These, and such questions as these, suggest themselves at every turn.
Numerous attempts have been made to solve these problems, and to construct a theory of the origin of the Grail story, but so far the difficulty has been to find an hypothesis which would admit of the practically simultaneous existence of apparently contradictory features.
Source: Wikisource

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