Jessie Laidlay Weston

Biographical details

Jessie Laidlay Weston,  From Ritual to Romance — Chapter XIII (1921)

“ Perceval, seeking the Grail Castle, rides all day through a heavy storm, which passes off at night-fall, leaving the weather calm and clear. He rides by moonlight through the forest, till he sees before him a great oak, on the branches of which are lighted candles, ten, fifteen, twenty, or twenty-five. The knight rides quickly towards it, but as he comes near the lights vanish, and he only sees before him a fair little Chapel, with a candle shining through the open door. He enters, and finds on the altar the body of a dead knight, covered with a rich samite, a candle burning at his feet. ”
Source: Wikisource

Jessie Laidlay Weston,  From Ritual to Romance — Chapter XIII (1921)

“ Visits to the Otherworld are not always derivations from Celtic Fairy-lore. Unless I am mistaken the root of this theme is far more deeply imbedded than in the shifting sands of Folk and Fairy tale. I believe it to be essentially a Mystery tradition; the Otherworld is not a myth, but a reality, and in all ages there have been souls who have been willing to brave the great adventure, and to risk all for the chance of bringing back with them some assurance of the future life. Naturally these ventures passed into tradition with the men who risked them. ”
Source: Wikisource

Jessie Laidlay Weston,  From Ritual to Romance — Chapter IX (1921)

“ Can it be denied that, while from the standpoint of a Christian interpretation the character of the Fisher King is simply incomprehensible, from the standpoint of Folk-tale inadequately explained, from that of a Ritual survival it assumes a profound meaning and significance? He is not merely a deeply symbolic figure, but the essential centre of the whole cult, a being semi-divine, semi-human, standing between his people and land, and the unseen forces which control their destiny. ”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature