Jessie Laidlay Weston

Summary

Jessie Laidlay Weston From Ritual to Romance — Chapter XIII (1921)

Perceval, seeking the Grail Castle, rides all day through a heavy storm, which passes off at night-fall, leaving the weather calm and clear. He rides by moonlight through the forest, till he sees before him a great oak, on the branches of which are lighted candles, ten, fifteen, twenty, or twenty-five. The knight rides quickly towards it, but as he comes near the lights vanish, and he only sees before him a fair little Chapel, with a candle shining through the open door. He enters, and finds on the altar the body of a dead knight, covered with a rich samite, a candle burning at his feet.
Source: Wikisource

Jessie Laidlay Weston From Ritual to Romance — Chapter XIII (1921)

The truth may lie very deep down, but it is there, and it is worth seeking, and Celtic fairy-tales, charming as they are, can never afford a satisfactory, or abiding, resting place. I, for one, utterly refuse to accept such as an adequate goal for a life's research. A path that leads but into a Celtic Twilight can only be a by-path, and not the King's Highway!
The Grail romances repose eventually, not upon a poet's imagination, but upon the ruins of an august and ancient ritual, a ritual which once claimed to be the accredited guardian of the deepest secrets of Life.
Source: Wikisource

Jessie Laidlay Weston From Ritual to Romance — Chapter XIII (1921)

Visits to the Otherworld are not always derivations from Celtic Fairy-lore. Unless I am mistaken the root of this theme is far more deeply imbedded than in the shifting sands of Folk and Fairy tale. I believe it to be essentially a Mystery tradition; the Otherworld is not a myth, but a reality, and in all ages there have been souls who have been willing to brave the great adventure, and to risk all for the chance of bringing back with them some assurance of the future life. Naturally these ventures passed into tradition with the men who risked them.
Source: Wikisource

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