Jessie Laidlay Weston

Summary

Jessie Laidlay Weston,  From Ritual to Romance — Chapter V (1921)

“ When we further consider that behind these three main parallels, linking them together, there lies a continuous chain of evidence, expressed alike in classical literature, and surviving Folk practice, I would submit that there is no longer any shadow of a doubt that in the Grail King we have a romantic literary version of that strange mysterious figure whose presence hovers in the shadowy background of the history of our Aryan race; the figure of a divine or semi-divine ruler, at once god and king, upon whose life, and unimpaired vitality, the existence of his land and people directly depends. ”
Source: Wikisource

Jessie Laidlay Weston,  From Ritual to Romance — Chapter V (1921)

“ For the perishing wedded ones, for perishing children it is; the dark-headed people create not." Nor can we evade the full force of the parallel by objecting that we are here dealing with a god, not with a man; we possess the recorded names of 'kings who played the role of Tammuz,' thus even for that early period the commingling of the two conceptions, god and king, is definitely established. ”
Source: Wikisource

Jessie Laidlay Weston,  From Ritual to Romance — Chapter V (1921)

“ Medieval and Modern Forms of Nature Ritual Readers of the foregoing pages may, not improbably, object that, while we have instanced certain curious and isolated parallels from early Aryan literature and tradition, and, what, from the point of view of declared intention, appears to be a kindred group of religious belief and practice in pre-Historic and Classical times, the two, so far, show no direct signs of affiliation, while both may be held to be far removed, in point of date, alike from one another, and from the romantic literature of the twelfth century. ”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature