Jessie Laidlay Weston

Summary

Jessie Laidlay Weston,  From Ritual to Romance — Chapter III (1921)

“ When every parallel to our Grail story is found within the circle of a well-defined, and carefully studied, sequence of belief and practice, when each and all form part of a well-recognized body of tradition the descent of which has been abundantly demonstrated, then I submit such parallels stand on a sound basis, and it is not unreasonable to conclude that the body of tradition containing them belongs to the same family and is to be interpreted on the same principles as the closely analogous rites and ceremonies. ”
Source: Wikisource

Jessie Laidlay Weston,  From Ritual to Romance — Chapter III (1921)

“ Turning back to the earliest existing literary evidence, the Rig-Veda, we become aware that, in this vast collection of over 1000 poems (it is commonly known as The Thousand and One Hymns but the poems contained in it are more than that in number) are certain parallels with our Grail stories which, if taken by themselves, are perhaps interesting and suggestive rather than in any way conclusive, yet which, when they are considered in relation to the entire body of evidence, assume a curious significance and importance. ”
Source: Wikisource

Jessie Laidlay Weston,  From Ritual to Romance — Chapter III (1921)

“ The next time the father is absent the temptress, watching her opportunity, returns, and persuades the boy to accompany her to her 'Hermitage' which she assures him, is far more beautiful than his own. So soon as Rishyacringa is safely on board the ship sails, the lad is carried to the capital of the rainless land, the King gives him his daughter as wife, and so soon as the marriage is consummated the spell is broken, and rain falls in abundance. ”
Source: Wikisource

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