John Addington Symonds

John Addington Symonds

Summary

Portrait of John Addington Symonds John Addington Symonds 1911 Encyclopædia Britannica, Volume 21… (1911)

Petrarch did not distinguish himself by love-poetry alone in the Italian language. His odes to Giacomo Colonna, to Cola di Rienzi and to the princes of Italy display him in another light. They exhibit the oratorical fervour, the pleader’s eloquence in its most perfect lustre, which Petrarch possessed in no less measure than subjective passion. Modern literature has nothing nobler, nothing more harmonious in the declamatory style than these three patriotic effusions. Their spirit itself is epoch-making in the history of Europe. Up to this point Italy had scarcely begun to exist.
Source: Wikisource

Portrait of John Addington Symonds John Addington Symonds 1911 Encyclopædia Britannica, Volume 21… (1911)

With this double ideal in view, Petrarch poured scorn upon the French physicians and the Italian Averroists for their illiberal philistinism, no less than for their materialistic impiety. True to his conception of independent intellectual activity, he abstained from a legal career, refused important ecclesiastical office, and contented himself with paltry benefices which implied no spiritual or administrative duties, because he was resolved to follow the one purpose of his life—self-culture. Whatever in literature revealed the hearts of men was infinitely precious to him
Source: Wikisource

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