Summary

Portrait of John Ruskin John Ruskin The Harbours of England

What a majestic sense of service in all that languor! the rest of human limbs and hearts, at utter need, not in sweet meadows or soft air, but in harbor slime and biting fog; so drawing their breath once more, to go out again, without lament, from between the two skeletons of pier-heads, vocal with wash of under wave, into the gray troughs of tumbling brine; there, as they can, with slacked rope, and patched sail, and leaky hull, again to roll and stagger far away amidst the wind and salt sleet, from dawn to dusk and dusk to dawn, winning day by day their daily bread
Source: Gutenberg

Portrait of John Ruskin John Ruskin The Harbours of England

The subtle varieties of curve in the drawing of the sails of the near sloop are altogether exquisite; as well as the contrast of her black and glistering side with those sails, and with the sea. Examine the wayward and delicate play of the dancing waves along her flank, and between her and the brig in ballast, plunging slowly before the wind; I have not often seen anything so perfect in fancy, or in execution of engraving.
The heaving and black buoy in the near sea is one of Turner's "echoes," repeating, with slight change, the head of the sloop with its flash of luster.
Source: Gutenberg

Portrait of John Ruskin John Ruskin The Harbours of England

Any ship, from lowest to proudest, has due place in that architecture of the sea; beautiful, not so much in this or that piece of it, as in the unity of all, from cottage to cathedral, into their great buoyant dynasty. Yet, among them, the fisher-boat, corresponding to the cottage on the land (only far more sublime than a cottage ever can be) , is on the whole the thing most venerable. I doubt if ever academic grove were half so fit for profitable meditation as the little strip of shingle between two black, steep, overhanging sides of stranded fishing-boats.
Source: Gutenberg

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