John Talbot Smith

Summary

John Talbot Smith The Art of Disappearing

No doubt that the past is more a part of a man than his heart, for here was every nerve of his body tingling to turn traitor to his will. Horace Endicott, so long stilled that he thought him dead, rose from his sleep at the bidding of the detective, and fought to betray Arthur Dillon. The blush, the trembling of the hands, the tension of the muscles, the misty eye, the pallor of the cheek, the tremulous lip, the writhing tongue, seemed to put themselves at the service of Endicott, and to fight for the chance to betray the secret to Curran.
Source: Gutenberg

John Talbot Smith The Art of Disappearing

I am Arthur Dillon. That other man is not only dead, he is as unreal to me as the hero of any book I read in my boyhood. It was hard to give up the old personality; to give up what I am now would be impossible. I am what I seem. I feel, think, speak, dream Arthur Dillon. The roots would bleed if I were to transplant myself. I found my career among your people, and the meaning of life. There is no other career for me. These are the people I love. I will never raise between them and me so odious a barrier as the story of my disappearance would be. They could [308] never take to Horace Endicott.
Source: Gutenberg

John Talbot Smith The Art of Disappearing

How could the poor man help himself? She hurled at him an army of nobles, headed by the Countess and Lord Constantine; she brought him letters from his friends at home; there was a dinner at the hotel, the Dowager being the hostess; and he was almost awed by the second generation of Anne's audacious race: Mona, red-lipped, jewel-eyed, sweeter than wild honey; Louis, whose lovely nature and high purpose shone in his face; and Arthur, sad-eyed, impudent, cynical, who seemed ready to shake dice with the devil, and had no fear of mortals because he had no respect for them.
Source: Gutenberg

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