John Trevena

John Trevena

Summary

Portrait of John Trevena John Trevena By Violence

And she is mine."
"She'm mine, master," murmured Sibley.
"I found her among my flowers, the reward of my searching. She is the answer," he said. "Let her be to you the daughter of love, and to me the daughter of violence. Oliver," he cried, turning, "bring up water from the pixy-stream. As the sun rises I will baptise—my child."
"Yew'm fond o' she, master?"
"She is mine," he said, with the old impatience.
"And we, master?"
"I am old and you are young," said Searell. "But we are all beginning life, we know nothing. We will try to find another and a better pathway."
Source: Gutenberg

Portrait of John Trevena John Trevena By Violence

It wobbled down the natural terraces, weather-hewn from granite, and with it came a voice suggesting more violence, harsh and angry, not a voice of the clouds, but of the street-corner, where faces are thin and fierce, and the paving-stones seem cruel. Sibley was searching for her husband, not because she loved him, nor requiring his company for any reason except the selfish one that the loneliness above frightened her, and her small spirit quailed before the heaving moorland. Any sort of a brute was better than the God of the mountains.
Source: Gutenberg

Portrait of John Trevena John Trevena By Violence

At the top of a hill 999 feet, 11 inches high—some say it is 1,000 feet, but that is not true—stands the village of Lew, where dwells a man named Heathman, who has fifteen daughters and not a single son; and the daughters are all princesses, although it is not easy to say why; but as they are pretty, and this is a fairy-tale, they must be.
The little village lies within a kind of ring-fence of ash and sycamores, which shelter the cob houses from the furious gales which boom and bluster over the Dartmoor tors. The wind is always sighing and moaning.
Source: Gutenberg

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