Summary

John Wilson Ross Tacitus and Bracciolini. The Annals Forged in the XVth Century

In other words, there could not be the scrupulous minuteness and the perfect freedom which make history live and breathe, unless, like Tacitus, he registered facts in which he took the deepest interest, from feeling their influence directly and powerfully exerted over himself, and the living and loved around him. Thus his hand, by being guided as the hand of Tacitus, would throw life into his work. And, truly, there is as much life in the Annals as in the History; but, instead of the air of the first century breathing around it, it is the air of the fifteenth.
Source: Gutenberg

John Wilson Ross Tacitus and Bracciolini. The Annals Forged in the XVth Century

Hence it is that Claudius, Nero and Tiberius are depicted as superhuman in monstrosities,—colossal in crime,—perpetrators of enormities that never yet met, and never will meet, in combination in any single man. Each is, in fact, a fiend, and not a human being. It was thus only that Bracciolini could show us in its true light the Church of Rome as it acted in his day.
Source: Gutenberg

John Wilson Ross Tacitus and Bracciolini. The Annals Forged in the XVth Century

Certainly, it is difficult, perhaps impossible, to reproduce in another language the smooth style and polished phrases of Tacitus; but his Latin is easy to follow, whatever he maybe doing,—describing a battle, a riot or a flight;—recording the success of a party, the death of an Emperor, or a disturbance in the Forum. Notwithstanding his fiery, rapid style, he is regular in his connection of thought,— logical in his sequence of ideas, thereby he is always alluring and attractive, while crisp, clear and comprehensible, he dazzles and delights with his picturesque images and glittering beauties.
Source: Gutenberg

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