Summary

George Middleton The Student's Companion to Latin Authors

I am convinced that much can be done to stimulate and invigorate the young student’s feeling for Latin literature by helping him to feel for himself how each author’s words spring from his life, and conversely how facts and circumstances of his life can be elicited from his words. There will always remain doubts as to the facts and dates, e.g., in Horace’s or in Catullus’ life; but any reasoned theory has its interest, and is better for the pupil than no theory.
Source: Gutenberg

George Middleton The Student's Companion to Latin Authors

Besides his commentary on the Somnium Scipionis of Cicero, Macrobius wrote a work in seven Books on Roman literature and antiquities with the title of Saturnalia. The imaginary conversations of which it consists are supposed to take place during the festival of the Saturnalia at Rome (hence the title) ; and the chief subject of discussion is the poetry of Virgil. A remarkable feature of the book is its wealth of quotation from Greek and Latin authors. Macrobius, like Gellius, bases his work on extracts from older authorities; but, unlike him, arranges his matter systematically.
Source: Gutenberg

George Middleton The Student's Companion to Latin Authors

Caesar is the villain of the piece; Pompey embodies all that is good; Cato and Brutus are highly spoken of; the former stands as the ideal Stoic. The Senate, except in Book v. ad init., appears in a rather unfavourable light, and so does the plebs. Lucan did not want the re-establishment of the republican oligarchy, but acquiesced in the empire as being ordained by fate. This is borne out by what we know of the Pisonian conspiracy, the object of which was not to re-establish the republic, but to put some leading man like Seneca on the throne.
Source: Gutenberg

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